Skip to content

Journal —

Studio

4 min read

Reading a Site from Above

Every project starts with the same exercise: a week of aerial photographs, old maps and a single sheet of tracing paper.

Every project starts with the same exercise: a week of aerial photographs, old maps and a single sheet of tracing paper.

All notes

Aerial view straight down on a terraced hillside with olive trees, a winding dirt track and a small roofless stone ruin

Written by

Portrait of Clara Teixeira

Clara Teixeira

Associate

The first week of every project looks the same. Before anyone sketches a building, the team collects every aerial photograph of the site that exists, from the earliest military surveys to last month’s satellite images, and lays them out on one long table.

Layers of the site

Old photographs show what the ground remembers: a stream that was culverted in the sixties, the line of a demolished wall, a field boundary that still shapes where water collects after rain. We trace each layer onto a single sheet, one over the other, until the site starts to suggest its own plan.

At Ribeira Exchange, the 1951 survey showed a public passage through the block that had been closed for decades. Reopening it became the organising idea of the whole project.

Slow first, fast later

A week can feel like a long time to spend before drawing anything. In our experience it is the week that saves the most time later. Decisions made from the air are rarely the ones we have to undo on the ground.

End of the journal

Back to all notes

Create a free website with Framer, the website builder loved by startups, designers and agencies.